Pygmalion Poetry Deconstruction

Poetry Deconstruction The boloney of Pygmalion and the Statue (1713 translation) The poem The Story of Pygmalion and the Statue was originally written in Greek by Ovid, and is found in Book Ten of his work, Metamorphoses. It was translated into English in 1713, and this translation employs techniques to appeal to the readers of the day, and reveals t inheritor views on a variety of topics, including obsession and narcissism. Pygmalion, a sculptor, shunned all women for their frivolity, instead turn of events to his art.He created a sculpture out of ivory of a muliebrity so perfect that he grew to love her, and wished for his ivory virgin to be real. The goddess granted his secret desire, and blessed the couple with a son. The readership of the poem would crap consisted predominately of eighteenth century upper class males, so the poem is, in many parts, structured to interest this group of individuals. The eighteenth century humans would commence identified with the line Well pleasd to want a consort of his bed, as a mistress was the only function that was not provided instantly for them.Pygmalion, a man who is able to function without this, would birth been held in high esteem by the reader, and perhaps would have exalt them to follow his example in being independent. The line, Yet fearing idleness, the nurse of unbalanced, shows the society of the times attitude towards inactivity, in that it is, or leads to, a sickness. This metaphor relates to the saying, idle hands are the devils playthings, which would have been the view of the community at the time of the translation.Another quote that shows the judgement of the people of the eighteenth century is the powrful bribes of love, indicating that love could be bought. In 1713, this would not have been an oxymoron, as many married psyche to gain their wealth, making this statement ring true to the eighteenth century reader. The poet also refers to the birth of Pygmalion and the statues child, as a way that they cover their bliss. This metaphor signifies a real happy ending, especially to the man reader, as procreation was a very important issue an heir was necessary.Note also that the child is male. This engineers a perfect close to the report card of Pygmalion. Crown could also be a symbol of the patriarchal value present, as it was rare for a woman to rule (wear the crown). A head to pose it what the eighteenth century gentleman thought of Pygmalions psychoneurotic nature and narcissism. The fact that he Abhorrd all womankind makes it appear as if he thinks he is above women, as he has lumped them all into the same, utter bracket, including those who do not follow the lifestyle choices he disapproves of.The alliteration utilize in loathing their lascivious life emphasises Pygmalions misogyny, and therefore his very high opinion of himself. His narcissistic nature is further explored through the expend personification Nature could not with his art compare. Here, he is assess his own amazing skill for creating something better than Nature, or God, could make. The line Pleasd with his idol, reminds on of Genesis, where God is pleased with himself after he creates the world. Pygmalion is comparability himself to God, revealing his large ego.The poet delves into his obsessive nature with the caesura in the line, he commends, admires, Adores forcing the readers to conk out and examine the depth of Pygmalions obsession towards the statue of his creation, and by extension, himself. This is emphasised once again in the repetition in the lines And all the sparkling stones and odrous verdure. The word and is repeated five times in these four lines, highlighting the excessiveness of his gift giving and his over the top behaviour.Due to the irrefutable finish, where Pygmalions bliss is crowned with the birth of a son, and the lack of consequences for his atrociously high opinion of himself, one might conclude that over-extravagant pride was consid ered old-hat in the eighteenth century, and obsessiveness was not considered unhealthy, perhaps because it served to combat idleness. The divers(a) ideas in the poem support this. The translation of The Story of Pygmalion and the Statue effectively utilises techniques and devices in order to appeal to its readership, the upper class gentleman of 1713 and onward. 715 words