'The Odyssey and The Metamorphoses'

'For the Greeks and Romans, Homers Epic, The Odyssey and Ovids Metamorphoses ar much more(prenominal) than comely socialise tales roughly paragons, persons, monsters and etc. The tales give c bewise served as a cultural ikon from which every region and relationship gutter be defined. through and through the Odyssey the reader, old or young, can chink important themes active what was considered normal in those Mediterranean cultures. Wo manpower range vital roles in these two narratives, mortal women and gods alike. In some(prenominal) Epics, women and the set up that they had on the lives of the others or so them, especi altogethery men were great, but their roles be so atrophied that its knockout to catch just how important women like genus Penelope, Hera (Juno) and A thena real are. I computer programme to compare and line of merc surpassise these two industrial plant of literature and the women that inhabit within their pages.\n passim The Odyssey there i s a limited introduction of women. Whether servant girls, deities, queens, or Gods, they are mostly solely assigned to the shockable role of mothers, seductresses, or some crew of both. Mothers are seen as the givers of pity and heartbreak rather than received have goters of their sons and saves in name of military or personal quests. In most instances portrayal mother figures in The Odyssey the women are in need of support and guidance as they are all but weak, fragile, and unavailing without the steady hand of their male reproduction to guide them. Women pop to be disjointed and inconsolable if unavailing to nurture their husbands and sons, as in the causal agent of poor Penelope. Penelope mourns her lost husband, obviously without noticing the attentions of the suitors. At nonpareil point, one of the bards of the castle begins singing about the deadly battles where she assumes her husband fell during battle, and she then falls to the institute weeping and mour n the absence of her husband, Odysseus. It takes the leading and masculine front of her son, Telemach... '