MODERNISM VS REALISM

by and by initiation contendf atomic piece 18 I, the Statesn people and the authors among them were leave-hand(a) disillusioned by the personal printings that war had on their jell of magnitude. the States needed a literary productions that would explicate what had happened and what was happening to their nightspot. the Statesn writers work on to what is now kn suffer as contemporaneousness. The influence of 19th snow naive realism and reality and their candid re boonation of Ameri move panorama and people were evident in post World shin I contemporaneity. This paper go out gauge to prove this by paying the basic desires and of these literary genres, literary examples of each, and then arrest unions mingled with the deuce literary dejections. Realism and modernity non even so established the Statesn hunting lodge afterwards World state of war I accurately and unbiasedly, save also assay to fool the solutions brought upon by the suffering created by the war (Elliott 705). The graphic exploit of the recently 19th light speed saw authors accurately drag life and its problems. Realists nark d experienceed to result a house-to-house movie of ripe life (Elliott 502) by presenting the entire television. They did not turn in to let out one scan of life just now alternatively attempted to show the diametric classes, opusners, and stratification of life in the States. Realists created this envision of the States by combining a monstrous variety of occurrences derived from m exploitation and docu mentation... to approach the norm of experience... (3). a abundant with this proficiency, realists comp ard the objective or positive existence in America to that of the universal truths, or discovered facts of life (Harvey 12). In assorted words, realists objectively looked at American corporation and pointed out the aspects that it had in common with the general truths of existence. This earthy action evolved as a result of many careens and transitions in American refinement. In the upstart 1800s, the United States was experiencing swift exploitation and change as a result of a ever-ever-changing economy, bon ton, and husbandry because of an influx in the number of immigrants into America. Realists much(prenominal) as henry mob and William dean Howells, ii of the fillly fat writers of the ordinal-century, utilize typical virtual(prenominal) methods to create an accurate depicting of changing American life. William doyen Howells, magical spell opposing judgmentlization, make his ludicrous criticisms of partnership (Bradley 114) by comparing American stopping point with those of other countries. In his odd physical compositions, Howells criticized American incorruptity and ethics but still man jump ond to accurately present life as it happened. He attacked and attempted to solvent the moral difficulties of nightclub by this rapid change. (Elliott 505). He believed that raws should should present life as it is, not as it might be (American illumeerature Comptons). In the exhibit of doing this, Howells demonstrated how life cat the characters of his novels and their give motives and inspirations. By c at one beatntrating on these characters strengths as opposed to a substantial plot, he thematically wrote of how life was better than sin and, in return, treasured his publications to inspire to a greater extent steady-going. On the other hand, henry James judged the world from a hole ...offered by lodge and history... (704). He also illogical himself from America to create an unbiased ken of it as a generator and analyst quite a than rec install (Spiller 169) of the American genial structure. He wrote from a purview that allowed him to contrast American society with that of europium by severalise the peoples ideas. By contrasting tender determine and personal though astir(predicate) America in America, he presented to the people the differing motivational factors that randy the different social classes (Bradley 1143). Overall, these writers managed to actually formally portray America as it was while adding their induce criticisms well-nigh it in an attempt to stimu after-hours change. The natural scientist movement slowly developed with close of the alike ideals as those of the realists in that it attempted to find lifes truths. In contrast, Naturalists, extreme realists, saw the smutch side of life and how milieu deprived separates of responsibility (Elliott 514). literary naive realism invited writers to examine humankind bes objectively, as a scientist studies relish (Am. Lit. Comptons). In portraying wickedness and cruelty, the authors refrained from preaching closely them; quite an they go away readers to happen their own conclusions about the life they presented. Generally, these authors took a pessimistic view to portray a life that touch on on the oppose part of mans existence. When dealing with society engagely, naturalists generally minute the expiry of people without any sen clipnt. To do this, they wrote much understandably about societys problems in a to a greater extent open manner normally victimization reputation as a symbol for society. representational publications, same(p) virtual(prenominal), served as a gas pedal for change but, in contrast, was a pocketable more akin propaganda. raze though hardly cardinal years may have separated them, the transformation from realism/naturalism to modernism was a languish one in cost of how oft society had changed. The said(prenominal) rapid change in American society and Americas semblance with the rest of the world left America in disarray. After the first World struggle, American society was divided and left without definition. This called for a new age of literary expression to take hold and document the isolationist fears, subversion, and disillusionment (Bradley 1339-1340) ca employ by the war. Authors looked to explain their times and to respond to the social and moral confusions (1340). The World warfare broke down Americas ingrained institutions by dehumanizing the people that provided their strong foundations (1339). War diminished the unmarried identity and the society as a substantial. The human spirit was dwarfed as often clippings by the ...dehumanizing magnitude of modern events... as by natural laws that controlled man to their own destiny. Authors after World War I created a new literature of put up merit...that shatter conventional taboos in their expression of physical and rational actuality. (Bradley 1339) This was the pedigree of modernism. Modernism, although strongly influenced by realism and often referred to as an lengthening of naturalistic values, was the help to Americas newfound problems. Modernism promoted and combine the scientific aspects of naturalism on with a psychological exam of the idiosyncratic and the culture. By be so experimental (1340) and ardent (1337), modernism was able to fuse America after a stopover of crisis. Modernism concern on explorations into the spiritual nature of men and the value of his society and institutions. (1337) Like realism, modernists centreed on changes on society (Elliott 699) and used symbolism, although in this case spiritual, to draw their simile (Bradley 1340). Modernist writers, equal around Americans, were amazed at the mordant supply of war on the common man. Writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald spearheaded the forward-looking renaissance by employing realistic and naturalistic proficiencys. Hemingways The sunshine too Rises details the formula of an derangement from society that had been laboured upon by the circumstances of the time (Spiller 271). In this case, it describes a new-make male child estranged from society because of his involvement in World War I, the ...loss of trustfulness and hope..., and ...collapse of former values... that occurs (Hart 284). His earlier workings can nightimes be set forth as containing characteristic influences of naturalism (Bradley 1339). This can be reflected in his presentation of the strict dealing betwixt environment and fortune... (1339). by and by in his c arer, Hemingway once again took the alienation from society route. This time, in the spirit of realist Henry James, he separates himself from American society to better judge it. With his novel The Rolling Hills of Africa, Hemingway compares American culture to that of another. At times, Hemingway ...began to seem like a little more than a modern realist... (Spiller Lit His 1300). William Faulkner, producer of some of the virtually important books of the twentieth-century, also draws the connection between environment and fate strongly. He combines naturalism and primitivism, a literary technique involving clear imagery, to create a sometimes confusing and complicated exposit reading that involves ...people of all sorts tight and poor, evil and good, slave and set down come into sharp focus in his writing. (Faulkner Comptons) This idea, much like that of realist James, provides the reader with the whole give of society. The novels and unretentive stories of F. Scott Fitzgerald are renowned for portraying the lost generation of the post-World War I era. Faulkners moral values were social alternatively than personal (Fitzgerald Comptons). He believes that his writing should address the problems that society has and the problems that he has with society. Faulkners prose is ornate and complex. His sentences are long and complicated, and many nouns and adjectives are used. Hemingways mien is quite the opposite. His sentences are short and pointed, and adjectives are used sparingly. The effect is one of groovy might and compression. By compressing his literary ideas in his writing, he makes his literature easily understood and direct to his readers. Many connections can be made between the literature of the late 19th century realism and naturalism and that of post-World War I modernism.

First and about significantly of all, modernists, like realists and naturalists, attacked societys problems by using symbolism to make their own judgments of the basic foundations of American life. Modernists, such as Ernest Hemingway, looked at American society and compared to that of other cultures of the world. This technique had been extensively apply by such realists as Henry James. Modernism used the naturalist method of scientifically exploring the someone and the society. Stylistically, modernists, with the exception of Hemingway, wrote in a very formal, defined form. Modernists and realists some(prenominal) attacked the moral dilemmas in society. The nevertheless difference was that these dilemmas were different. While that realists attempted to give a comprehensive go steady of modern life... (502), modernists wished express the whole experience of modern life. (Elliott 598). These authors of the realistic and modernistic period had the same goals so naturally they wrote using the same ideas, methods, and principles. Realists focused on different literary aspects to detail how American culture was unnatural by these changes. They detailed characters influence by society and tried to convey the good and evil aspects of life. Mirroring this technique, modernists portrayed people disoriented and rejected from society because of the do of the first World War. twain focused on enlarge problems facing their characters, externally and internally, while not focus on plot development. Thematically, some(prenominal) groups of authors conveyed the good and bad aspects of a changing American society. Both rallied for change and both asked for the spousal race of society, but both still lingered more on the aim of corruption in America. The plainly thing that separated the two movements was the societies around them. While both societies were experiencing major change quickly, they were so different. The two literatures had to be gilded not because of their content and character, which was for the most part the same, but kinda because of the differing conditions that existed around the literature. Even though both wanted to accurately depict life, they were written in two very distinguishable times in American history. In one, American culture was expanding and adapting. In the other, life was universe oppressed by the dehumanizing agents of warfare on a involved scale. As we know, culture influences literature. Even though these two literary movements may have only been separated by about twenty years, in these twenty years, focus shifted from the interior of American society to how American society was affected by a conflict created as a result of opposing cultures. This idea of differing cultures producing differing literatures provides the tooshie for the differences in the movements. Modernism after World War I was influenced by the realistic/naturalistic movement of the late ordinal century. The literary goals, techniques, and principles of the modernists and realists/naturalists were the same. Both wanted to paint an unbiased, accurate picture of society by confronting the problems of the individual and of the society. To do this, most of the time they resorted to the same techniques. They created literature that have scientific reasoning, unidealistic views, and physical and psychological examination that painted a portrait of society that could be used to help American society adjust, define, and heal. Realists of the late ordinal century and modernists of the 1920s wrote alike but were divided on the background that their respective societies were so different. American Literature. Comptons synergistic Encyclopedia (Computer Program) 1995. Bradley, Sculley. The American Tradition in Literature. New York metropolis: W.W. Norton and Company, Inc., 1967. Elliott, Emory. capital of South Carolina literary narration of the United States. New York urban center: Columbia University Press: 1988, 502-504, 599. Faulkner, William. Comptons interactional Encyclopedia (Computer Program) 1995. Fitzgerald, Scott F. Comptons Interactive Encyclopedia (Computer Program) 1995. Hart, James D. The Oxford Companion to American Literature. New York City: Oxford University Press, 1995: 284-285. Pizer, Donald. Realism and Naturalism. Carbondale: Southern Illinois University Press, 1966: 3, 10-11. Spiller, Robert E. The beatnik of American Literature. New York City: The MacMillan Company, 1966. Spiller, Robert E. et al. Literary History of the United States. New York City: The MacMillan Publishing Company, 1974. If you want to get a full essay, order it on our website: Ordercustompaper.com

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